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In September, Darren Aronofsky gave us a hectic, harrowing allegorical look at a creator who’s also a destroyer with —a movie starring the woman he was dating at the time of filming, and that seems to refer back to a past marriage with another famous actress.

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Most crucially, Anderson puts two formidable women beside Reynolds, and undergoes a disarming transformation from chilly portrait of a cruel and powerful male narcissist to what could be described as a romantic comedy.

The great Lesley Manville plays Reynolds’s sister, Cyril, a crisp and commanding business partner—and, in subtle ways, a confidant.

It’s an arrangement we just know will end at some point, and badly—because this is a Paul Thomas Anderson movie, and some sense of ruin or despair tends to arrive eventually in his films. As Reynolds and Alma circle one another, figuring out their dynamic by testing and prodding to see where boundaries lie, something like actual parity gradually develops between them.

I won’t say how, exactly, because that would be something of a spoiler.

It’s a terrific breakthrough performance, wise and clever and sexy. If that was how my filmmaker partner wanted to show some version of me to the world, I think I’d be a pretty happy muse indeed.

But then again, what do I know about what the film means to Maya Rudolph?

However sooner or later, the vulnerable hearts receive requests that will ultimately lead to financial losses and heartbreak.

The scammers choose chat rooms and dating sites because the person in love offers the chance of the biggest payoffs.

The scammers spend their day trolling the dating sites and chat rooms for contact emails, and then send off thousands of fraudulent letters and emails awaiting the victim's replies.

They are offering the chance of finding true love and happiness, and there are plenty of takers!

Or about what any gesture means to any couple, really?

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